Today, it was not as hot as in the previous days and this has contributed to the productive day we got. After our Friday break –and the incorporation of new members– we started at 6:30 am with the distribution of the initial duties (some of them really basic!) and the distribution of the project members. Some of them work in a particular tomb or must move around the site the entire day (e.g., photography, GIS). Therefore, early in the morning we were already in our positions and ready for the plans previously discussed.

Even our rais Alí encouraged our 25 workers to start working allahtool (in Arabic: “right away”). One of the initial problems to resolve was the reconstruction of the tents, which collapsed with the wind the previous night. With good fixing points, new ropes, and much excitement, our Qurnawi friends succeeded and fixed them in a few minutes. Truly, there are not many jobs where one feels that he learns about people as in our case, where the efforts, attitude and good mood of the Egyptians teachs us much (and deeply) about life and its meaning. Perhaps, that is the reason why our gafirs (Arabic for “guards of the necropolis”) offer themselves to take care of part of our equipment during the night, or why we enjoy local food for breakfast, or even why a local worker shares a motorbike ride with one of our colleagues to the hotel where we stay. Everyday, work fuses with respect, care and the feeling that we do love what we do.

Of course, all these anecdotes and stories go hand in hand with the development of our work plans. One of the scientific interests of the Middle Kingdom Theban Project is the holistic comprehension of the monuments belonging to this period. Our presence in the necropolis of Deir el-Bahari and Asasif brings us this opportunity and we must gather all the trascendental information to confirm previous theories or to suggest new ones about this cemetery and the people who built it. Thus, is it of utmost importance to document the current status of the tombs, as well as to register both manually and digitally all the possible data and characterise every monument through the most advanced technologies and the traditional methods more practical. This procedure, which sadly is not as common as one would believe, allows to begin the archaeological excavations with all the original information, before being part of the creation of a new story for the monument.

In the tomb of Djari today’s work consisted on the preparation of targets and points to document the area that we are going to clean and adequate for the archaeological tasks to carry out next week. This area of the courtyard (south) will soon become an effective exit form the funerary complex without being to step onto other concessions. On the other hand, José and Laura were focused on verifying the location and current condition of the paintings in the façade of Djari’s tomb. For those who are not familiar with the wall paintings from this period, the scenes of the tomb of our director of Theban prisons are one of the most significant (and lesser known!) of the provincial art of the XI Dynasty. The works our team will carry put during the next weeks will allow to raise interesting questions about the painting and composition style as well as about the craftsmen who create them, besides other technical aspects such as the preparations of the walls, the mortar and the pigments.

The team working in Dagi’s funerary complex has also started to assess the current state of the tomb, paying special attention to the most problematic issues regarding the preservation of the wall paintings of the tomb. Despite the quality of the stone and the high level of artistic skills of the author or authors, these paintings present some deterioration and require a thorough study and an appropriate restoration methodology. On the other hand Jaime, Carmen and Raúl were able to locate some graffiti of the Coptic era that tells us about the reuse of the tomb as part of the monastery of Saint Epiphanius.

Regarding the conservation team, on their first day in the field, conservation team members Reed Hudson and Ella Andrews were joined by new team member Olivia O’Dwyer. They spent the day examining the wall paintings of Dagi and Djari and organising the conservation materials for the season. Last season they started documenting the wall paintings in Dagi and planning their conservation treatment, and continuing this work will be one of their first priorities. In addition, they are excited to begin work in Djari, which will present an interesting challenge – many of the wall paintings are hidden! At some point in the past wooden boards were installed to protect the wall paintings from the elements, and now the team will have to find a way to remove the boards, while ensuring that the wall paintings hidden behind them aren’t damaged. We will make sure to share photos of the process and the uncovered wall paintings, which haven’t been seen in decades.























