We are back in the site! After a pause of a year, we have returned to the funerary complex of Djari (TT 366), where we expect to conduct a fruitful and intensive season. This year, under the auspices of the Ministry of Tourism and Antiquities –to whom we thank once again their support, permission, and hospitality– we shall focus on the documentation, restoration, and conservation of the tomb structure and wall-paintings. It is indisputable that many of the monuments in the Theban necropoles require an elaborate plan of restoration and conservation and the MKTP team will concentrate on the consolidation and revamping of the tomb of Djari, as an exceptional example of the artistic production in the times of Mentuhotep II.
Despite having experienced the same event for the past ten years, today we found ourselves moved once again as the sheikh guardian of the area, Sheikh Shahad, opened the door of Djari’s tomb anew. Under the watchful eye of the inspector, whose name is Aabla, all the materials, tools, and findings were brought out and organized in a secure area of the monument. Soon we will need to employ them in the documentation of the monument, the study of the special findings, and the restoration of the wall-paintings.
One of the most important tasks in the first day is to check the condition of the monument and its findings. So, one important step is the examination of gypsum witnesses placed in the major and most fragile points of the tomb: fortunately, they seem to indicate that the tomb has not suffered major changes in the last months. Besides, it is very important for us to reinstall the security rope barrier with wooden posts of the courtyard, which reminds us about the delicate condition of the monument in that area. In this initial stage, our moudir devoted part of his work to explaining to the inspector the objectives and tasks of this season, as well as the major issues to face in the coming years. Aabla seems a competent inspector with years of experience in the Valley of the Kings and the Carter Magazine, and today we already noticed that she will contribute enourmeously to the season.
In the first day, another customary operation is the installation of the studio lab for our photographer, Patricia Mora. However, we decided that the chamber selected for this purpose should be cleaned and reconditioned for that purpose. Without the slightest delay, Hussein proceeded to clean the tomb chamber. The chamber –which once housed Djari’s wooden models– will be ready tomorrow.
In a way, this first day encapsulates what we hope will be an intense, fruitful, and enjoyable campaing, mainly devoted to the restoration of Djari’s monument. As the ancient Egyptians longed, the perpetuation of the deceased’s memory, the reiteration of this name in inscriptions and conversations, and the perpetual existence of his monument are, as in Djari’s case now, a living reality…
